Don't Open the Box: Mama Mia, My Dear Korea!

Viva Korea!

When I was still a young Sazanami of about nine, I cherished two weekly events more than anything else: my video game time and my time with my English tutor. He was a ruddy Scottish man who taught you through the things you liked best. The things I liked best were stories, especially fantasy stories. He had a whole head full of myths to impart on me and would relate them to me in energetic story-telling sessions. Then he would write them down in a to-be-understood-by-9-year-old-Japanese-boy-if-he-studied-hard versions every week and then ask me the next week to explain it to him in English, hopefully having understood it more.

My lovely black mage badass, Medea!

I loved all the stories, but especially the Greek ones! At around the same time I was obsessed with playing Super Mario USA (2 for the rest of the world) with my friends, I was learning all about Jason and the Argonauts. I especially liked Medea, because she reminded me of a Japanese RPG female sorceress character, with all the ways she would cleverly help Jason. If you know the story, you know that it's also like an RPG in that there are several different endings, particularly about Medea. No matter how it ends though, Medea either has something horrible done to her or is coerced by fate to do terrible things. I didn't like how Jason betrayed her. I would always think, "Poor Medea!"

As my brothers and friends played through Super Mario USA, we'd say "Mama mia!" when we died. One time, I said, "Mama mia, poor Medea!" when I died as the princess, because you know, the princess was helping out like Medea did. It caught on.

One of my friends was a master at Super Mario USA. Her family had moved from Korea to work in Japan. She was my first Korean friend. We always left the hardest parts to her. It was in one of those levels where you have to be very careful how you bomb the rock walls to move on and in a dubious case of carelessness, she accidentally died. Cue, "Mama mia, poor Medea!" I thought I would be clever and add "From Korea" to the rhyme.

From that point on, the rhyme got longer and longer as we added more silly things to it. Anything we could think of that rhymed with "mia" got in. The chain got very long, but it always started with, "Mama mia!" and ended with, "Poor Medea!" At one point we added "Pizzeria" and of course if you eat something, what's the funniest food-related thing in the world to a nine-year-old? If you guessed poop, congratulations, you either understand children, are one yourself or are a child at heart -- all good things if you ask me! So the pizzeria chain evolved into "Pizzeria, poopa-pee-a, diarrhea!"

Now keep in mind we were just playing around, so we didn't really pay any particular attention to the order we were rhyming in. Here's what the finished monster looked like:

Mama mia
Two and three-a 
It's a me-a
No, it's a she-a
Drives a Kia
From Korea
Pizzeria
Poopa pee-a
Diarrhea
Ants and bee-a
Gonna sting-ya
Poor Medea!

Harmless and fun, right? Well, not entirely. Unfortunately, our little rhyme was so catchy to us, we'd often sing it when not playing the game. My Korean friend sang it at home in front of her parents. I'm not sure how fluent they were in English, but all that stuck out to them was "Korea" and "poop."

We got in trouble. While my parents were understanding and tried to reason with her parents, I'm afraid I was never allowed to play with my Korean friend again. It was obvious to me and my brothers that we weren't trying to be mean to Koreans. My dad and mom simply warned me that no matter how innocent the intentions are, one should never put country names anywhere close to defecating terms. I did take the advice, of course and I've been lucky to make many other good Korean friends since then, but I can't help but think this when I look back on it:

Mama mia! Poor Medea!

Mystery is Everywhere: Your Entire Life on Video

Mystery is everywhere. It lies behind a waterfall, inside an ornate locked box, or in the school's meat. Mystery improves games. Without it, magic isn't magical. The horizon doesn't beckon without mystery's enticing finger. Mystery lies at the heart of games, because it's always the most enticing question: what happens next?

If I were a game and I were looking for inspiration, I might look at one episode of Japanase television short story seriesYo ni Mo Kimyo na Monogatari ; perhaps a good translation might be Strange Stories for a Stranger World or There Are Pecular Stories Out There.

This tale starts with a woman browsing through a video rental store. Nothing looks enticing until she notices a series of white videos entitled Your Story (Anata no Monogatari), which is also the title of the episode.

Existential worries in the video store of life.

Mami, our main character remembers a conversation she overheard in the train between two school girls. A series of tapes in white with nothing but the words "Your Story" printed on them can sometimes be found in video stores. According to the girls, the person who watches the video will see their entire life from the day they are born to the day they die.

Intrigued, Mami rents the first video and returns home with it. After putting it in, Mami is disappointed to learn there's nothing on the video. She leaves it running and gets up to make a cuppa.

"Hello there Mami, I've been waiting for you."

While Mami is in the kitchen, she suddenly hears a baby crying. She returns to find herself being born on the television screen. Though her parents never filmed her birth (she says there were only photographs), in vivid detail, there lies her first few years after coming into this world. Intrigued, Mami rents more videos and relives her life.

The contrast in these scenes is intriguing. We, as the viewer, know that this can't lead to a good place. (This episode was filmed after the success of The Ring made electronic media devices a thing of terror and besides, anyone who has encountered stories like these know they don't usually end well.) However, Mami is thrilled. Her life is depicted as so bland and ordinary that any kind of spirit and enthusiasm has been filtered away like mediocre coffee. It's only the scenes where she encounters her old life with her 5-years-dead father that the screen shows a real and vivid vibrancy.

 

Hello, TV snow, my old friend.

Eventually, Mami runs into a tape that shows her walking around in a video store, renting the same tape she is watching and even shows footage of her watching it. It is at this point that I, and I think many others, would so creeped out we might need to excrete the excess creepiness out our butts. But Mami runs into a problem in real life. Invited out for lunch at her workplace, and bristling with curiosity, she wants to know what will happen tomorrow. So she watches the first tape to show the future.

It is at this point that I will not reveal what happens next. It's a lot more clever than you might think. Suffice to say that Mami finds out something that has us questioning the nature of how we perceive the future. No, it's not that. And no, not that either. Oh God no, heavens no, it isn't that hackneyed old thing either.

I especially like this scene:

I pissed in your tea, Mami.

Mami is watching her future self, who knows she is being watched by whatever entity films the tapes. She turns around and stares into the camera of her mysterious filmer. Future Mami stares right back at Past Mami, knowing she is watching herself, knowing what will happen next, in a look of utter hopelessness.

So why is Your Story successful at using mystery? One reason is because what Mami does isn't very mysterious. Every step of the way, from beginning to end, we know why Mami does what she does and what motivates her. The story is crystal clear here. 

It's everything that surrounds Mami that is murkier. Where did the tapes come from? Who is filming them? How does this whole mechanism work? Did she really see the tapes as they were or was she just renting regular shows and hallucinating? Was what she saw the truth or did she misunderstand something? Would her life have been better if she -- oops, can't tell you that.

The actress here is Manami Konishi, known for her work in movies and television dramas as a charming, relate-able character actor.

Consider the following three scenarios and ask yourself, "Which do I find the most mysterious?"

a. A girl is walking through the forest. She can hear the sounds of a baby crying and no matter were she goes or looks, the sound doesn't fade, become more faint or louder. Eventually, she ignores the sound, picks some berries and goes out of the woods.

b. A girl is walking through the forest because she needs to pick some berries for a medicine that will help her mother. She can't find the berries and is about give up, when suddenly she hears the sounds of a baby crying. Distressed and concerned, she searches everywhere for the source, but the sounds don't change no matter where shes goes. It still sounds as far away and as close as when she first heard it. Eventually, she runs into the berries she is searching for. Having no time left and knowing her mother is sick, she decides to ignore the baby and go home.

c. A girl is walking through the forest. Her mother is pregnant and she needs berries to cure her ailing stomach. She has heard stories that in this forest, babies are thrown away by mothers who did not want them. She is picking the berries when suddenly she hears the sound of a baby crying. In distress, she tries to find the helpless baby, but no matter where she runs the sound of the baby's cries are just as loud and far away as when she just heard them. It doesn't seem to be getting any closer or farther away. At a loss, the girl rushes home. When she enters her home, suddenly the baby's crying becomes unbearably loud and she drops the berries. After scolding the girl, her sister prepares the berries in the stewing medicine for her sick mother. Meanwhile, the girl is writhing on the floor in pain from the sound of the screaming baby. Suddenly, the screaming stops. Looking up, the girl sees the remnant of the medicine dripping from her mother's mouth like blood.

Many people, I think, would prefer the last one, C. A is probably too vague. We don't know the motivation of the character, why they're in the forest and what is going on at all. Many mysterious stories are just incoherent. They try for mystery by referring to creepy ideas, but there isn't anything else to latch onto and it feels like the authors just omitted details to make it mysterious. With B, we have some idea, but I think a lot of people prefer the creepy details of C. The suggestion that the medicine will kill the baby in the pregnant mother is suitably macabre.

However, I think the best and most mysterious would be somewhere between B and C. If you ask me, the extremely overt suggestion that the berries aren't good for the baby isn't a mystery so much as it is an answer.  

Your Story reaches this magical median between the two. What happens is not a mystery. Why it happens and what the story is suggesting is extremely mysterious. There are any number of interpretations I think could be valid and they suggest any number of things. One of the strangest things about this story is what it suggests about its own nature. Your Story subverts the traditional idea that a character can change the future positively by becoming proactive and suggests something entirely different. 

The final shot of the piece.

Your Story has a lot of other excellent virtues, such as an economy of style that does a world of good for its storytelling and a confident sense of time and place -- even though rental video stores still exist in Japan, elsewhere they are becoming a thing of the past. I watched this for the first time 8 years after it was filmed. Imagine the story 40 years from now to a young boy or girl who has never even heard of the concept of renting videos from a store, let alone VHS! The tapes in this story might be as arcane and mysterious as crystal balls or tarot cards.

Your Story understands that in order to leave an indelible impression in people's minds, the art of the careful direction cannot be underestimated.